Underused library word no. 243.
The Oxford English dictionary defines “Alveary” as “1a: ‘A repository, esp. of knowledge or information. Originally as the name of a dictionary encompassing several languages… It may be used Metaphorically for… a Library full of Books.’ 1b. ‘A beehive. Also: the location where a beehive stands; an apiary. Now rare.'”
In mythology and heraldry, beehives stand for industry and co-operation. In Freemasonary, and in the Mormon Church, they are used as a symbolic caution against intellectual laziness. Richard Foxe, Louis McNeice, and Sarah Thomas, among others, have deployed them as metaphors for libraries. It is no accident that the hexagonal galleries, walls, and bookshelves of Borges’ Library of Babel reflect a beehive’s internal architecture.
Natural beehives are quite different from the artificial kind. But they too have a certain structure. Honey is stored in the upper part of the comb. Then come rows of pollen-storage cells, then worker-brood cells, then drone-brood cells. Queen cells are usually located on the lower edge of the comb.
Artificial beehives seek to bring greater order and efficiency to honey production and storage by disturbing this verticality. Humans have been building artificial beehives since antiquity, but it wasn’t until the nineteenth century that recognizably modern designs were used. Today there are two main types – the Langstroth hive and the top-bar hive.
Two main systems, both developed in the nineteenth century? Attempts to bring order to the quiet chaos of the natural world? Sounds a lot like library classification. It seems that the metaphor can be pushed further still.